Tejaswini Apte-Rahm
Aleph Book Company
September 5, 2023
Final Verdict

About the Author

Tejaswini Apte-Rahm is an award-winning writer from Mumbai, India. Her novel of historical fiction, The Secret of More, is the winner of the Tata Literature Live! – Book of the Year Award (Fiction) 2023. It is also shortlisted for the JCB Prize for Literature 2023 and the Atta Galatta-Bangalore Literature Festival Prize 2023.

Her short story collection, These Circuses That Sweep Through the Landscape (Aleph Book Company) was shortlisted for the Shakti Bhatt First Book Prize 2017, and the Tata-Nexon Literature Live! First Book Award 2017.

She has co-authored an environmental book for children, The Poop Book! (Kalpavriksh Environmental Action Group) which was a Parag Honour Book 2020 and nominated for the Jarul Book Award 2021-22. It was translated into Tibetan in 2022.

Tejaswini’s fiction has appeared in Helter Skelter, Himal Southasian, BLink and Six Seasons Review.

She has lived in Serbia, Israel, Cambodia, Thailand, Myanmar, Bangladesh, Fiji and Azerbaijan. She studied in Singapore and the UK. She worked as an environmental researcher and as a journalist and has written for Screen, Hindustan Times, the Times of India and Asian Age. She currently lives in Germany.
Other Works By Tejaswini Apte-Rahm
These Circuses That Sweep Through the Landscape (Aleph Book Company)
The Poop Book! (Kalpavriksh Environmental Action Group)

Tejaswini Apte-Rahm’s The Secret of More – A Country in Turmoil

Rahul Vishnoi reviews The Secret of More by Tejaswini Apte-Rahm (Published by Aleph Book Company, 2023)

Tejaswini Apte-Rahm, in the initial pages of The Secret of More describes an incident where a worm has lodged in the leg of the protagonist. The treating doctor issues a warning: if you force me to make haste, the worm will break into two, some part of it stuck in the body forever.

So let me take my time and pull it out slowly, a few millimetres per day. That’s how the author’s storytelling works: like a cascade of honey. Slow and fascinating.

Tejaswini Apte-Rahm isn’t afraid of taking a pause here and there; she lets her characters marinate in the events she cooks out from the vast entrails of history available at her disposal. The pace is languid yet steady. She knows and believes in her way of storytelling. And it works.

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The Story by Tejaswini Apte-Rahm

Tatya’s brother, a man of words, brings Tatya to a cloth market in Bombay. The former is more interested in doing business than studying. Within a few years, Tatya is running his own shop in the market. His past owner tells him:

‘You may become a great man one day. Or you may not. Either way, don’t take good fortune for granted.’

A few years after that he dabbles in the movie-making business. Apart from a few personal losses here and there, his business works well and the family shifts from a tiny chawl room to a sprawling sea-facing abode. Also, an interesting advice he gets:

‘Buy your own horse carriage only when you have the capacity to buy three of them.’

Tejaswini Apte-Rahm has woven multiple major historical landmarks into her story. A king arrives with a fanfare. A massacre in Punjab has its reverberations heard all over India.

Some of it you may know, others may come as a surprise. A water seller carrying two pitchers and shouting ‘Hindu water, Mussulman water’ particularly stands out.

The Characters

The fiercely domestic role of women in that time and age comes as a shock though not much has changed in our country from 1899, the year from in the story begins (barring the prologue that’s set in the future). Radha, Tatya’s wife, got married to him at the age of twelve. These are the lines used to describe her complexion:

‘Her skin was the colour of dark, milky tea. Obviously, a fair-skinned beauty would not have remained unmarried till the age of twelve.’

Tejaswini Apte-Rahm

The custom in the nineteenth century was such that the husband and wife would consummate the marriage after the girl got her first period. There is a harrowing chapter where Radha is dejected and depressed for not having her first blood even a long time after her marriage.

Her brother-in-law has sent a word that if this continues to be so, he will have to get Tatya married to another girl.

Tejaswini Apte-Rahm

Radha went to every shrine, worshipped every god there was, and fasted for hours on end until she had no energy left. When she finally gets her period, she is made to sit in a separate room without any cover or cloth on the floor.

She can’t take a bath and has to go out before sunrise to relieve herself. When she does that, she brushes a tree switch against the ground to scare off any snake there could be.

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Radha’s mother, a widow, lives in her brother’s house. It’s heartening to see her character written in an unconventional light. She is clever, calls a spade a spade, and stands up for herself.

But this doesn’t extend to festivals and auspicious occasions when, being a widow and thus an unholy presence, she is made to sit and watch from a safe distance lest her shadow falls on the festivity.

She has taught her daughter how to read and when, after Radha reaches her home in Bombay, she sends a parcel full of books that becomes a subject of utmost curiosity for the chawl women who wonder who and why someone would send anything to a married woman and that too by post.

To Conclude

Tejaswini Apte-Rahm’s writing in some parts feels like it’s pressing some emotional buttons. But her skill broadly is superlative. The book, a tome in fact, holds your attention to the last page. She has married history to drama and this union is peculiarly entertaining.

Have you read this extraordinary tale of a country in turmoil? What do you think of it? Drop a comment below and let us know!

Rahul Vishnoi

Rahul Vishnoi

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