Jhumpa Lahiri
Random House India
May 1, 2009

About the Author

Nilanjana Sudeshna “Jhumpa” Lahiri was born in London and brought up in South Kingstown, Rhode Island. Brought up in America by a mother who wanted to raise her children to be Indian, she learned about her Bengali heritage from an early age.

Lahiri graduated from South Kingstown High School and later received her B.A. in English literature from Barnard College in 1989. She then received multiple degrees from Boston University: an M.A. in English, an M.A. in Creative Writing, an M.A. in Comparative Literature and a PhD in Renaissance Studies. She took up a fellowship at Provincetown’s Fine Arts Work Center, which lasted for the next two years (1997-1998).

In 2001, she married Alberto Vourvoulias-Bush, a journalist who was then Deputy Editor of TIME Latin America Lahiri and currently lives in Brooklyn with her husband and two children. She has been a Vice President of the PEN American Center since 2005.

Lahiri taught creative writing at Boston University and the Rhode Island School of Design. Much of her short fiction concerns the lives of Indian-Americans, particularly Bengalis.
Other Works By Jhumpa Lahiri
The Lowland
Interpreter of Maladies
The Namesake
In Other Words

Unaccustomed Earth by Jhumpa Lahiri

quote by nathaniel hawthorne
Epigraph to Unaccustomed Earth by Jhumpa Lahiri

This epigraph to Jhumpa Lahiri’s Unaccustomed Earth neatly ties up the collection of short stories, which views the idea of a home away from home (a hallmark of Lahiri’s work) through rose-tinted glasses, with each story bringing a unique experience to the table.

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Individual Gems: The Love Stories

In A Choice of Accommodations and Nobody’s Business, we find the familiarity of romance and domestic strife. It is tempting to prod at Nobody’s Business through a feminist reading of the text. The demystification of Sang and her follies is conveyed through an omniscient narrator despite having Paul as a lens into the protagonist’s life.

Only Goodness addresses the relationship between stigmatized topics and identity and comments upon a larger issue. Themes of xenophobia and gendered upbringing are traced through the sibling relationship in the story. The second-person narrative technique used in Hema and Kaushik allows the characters to speak directly to each other despite distance and a large period of no contact.

And of course, Hell-Heaven which could so easily be mistaken for an episode of Modern Love on Amazon Prime- is an almost-love story, but a great love story nonetheless. 

Two key elements to look out for in these six stories are belonging and intergenerational ties. 

Running themes

Diasporic literature communicates what lies in the collective unconscious of those away from their homeland, and to capture this, Lahiri creates a wistful air around her characters.

Another common trope in the collection is travel, and more broadly, geography and movement, both literal and metaphorical. Characters project their internal dilemma onto landscapes, destinations and houses. In Hema and Kaushik, Kaushik’s fleeting nature and emotional instability are conveyed through his refusal to settle down.

There is a constant search for answers in the exterior reality. Ruma’s father tends the garden in her house, and the story is befittingly titled after the epigraph as Unaccustomed Earth. Sudha’s relationship with London is outside of a life that eventually revolves around her troubled brother in Only Goodness.

And it takes a trip down memory lane for Amit in A Choice of Accommodations to rekindle the dying flame in his marriage, when he returns to the campus that played a crucial role in his coming of age. In Nobody’s Business Sang seeks to find refuge from the matters of the heart in London, with her sister. 

Familial Ties 

Lahiri implicitly conveys a deep sense of cultural identity through kinship terms, and the important presence of parents, grandparents, and family back home in India. The stories capture affluent families that have climbed the social ladder.

They typically share common sociocultural backgrounds and end up facing similar everyday obstacles such as language barriers and an inferiority complex from rapidly growing westernization within families and the Indian- American community at large. The process of acculturation is noteworthy, but Lahiri’s inclusion of the parent-child dynamic gives the reader a multiperspective gaze.

Through non-linear narration in six of the shorter narratives (barring Unaccustomed Earth and Hema and Kaushik), Lahiri provides information on a character in crisply written sentences, allowing for the explanation of character motives and arcs. A Choice of Accommodations consists of more dialogue and picturesque writing.

Unaccustomed Earth finds Ruma and her father at critical stages in their life, where the father-daughter duo are undergoing a shared loss while dealing with impending change. The presence of a third generation in the form of Ruma’s young son highlights the permanent nature of change and it’s the holistic outcome. 

The most engaging tale is Hell-Heaven. Lahiri uses consistent irony in the form of tender revelations, and creates an air of unity through diversity with characters like Boudi and Deborah and the idea of a “chosen family”.

Final verdict: Lahiri’s collection of stories are reminiscent of a lazy Sunday afternoon chat with one’s cousins, aunts and uncles; indulging in gossip about their friends, and their friends of friends. The collection makes for a good read in the academic sphere as well, as it sets the perfect tone in the discussion of diasporic literature.

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Tanishq Quraishi

Tanishq Quraishi

Technical writer by dawn, creative writer by dusk, and a reader by choice.

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