
Stories from the Northeast: Exploring a land and its people
As someone who has spent many years in the north-east India, I have long been fascinated by the region’s complex history, its diverse geography and
We work hard to represent a diversity in Indian literature through our reviews of books from across India. Looking for a book on a particular theme? Check out our curated book lists that give you a variety of book suggestions to choose from. And lastly, read book excerpts for free, to get a taste of the book before you buy them.
We speak to some of India’s finest authors, translators, publishers, book designers, illustrators, and all kinds of storytellers about their works, the craft of writing, what it means to be a writer in our times, their favourite books, and much more.
Literary research, critical analysis, tributes and odes, personal reflections, trends mapping – all this and more features in our essays section which brings you new insights, expert opinions on all things books and stories from students, professors, and practitioners of literature.
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We cannot talk about Indian literature without talking about its rich, impossible-to-capture, and all-fascinating canon of folktales. We bring together folktales from across nooks of India to show you how fascinating, and fundamentally shared, our cultural heritage is. Bonus points, you get to read amazing tales filled with magic and myth, virtue and vice, and absolute wonder.

As someone who has spent many years in the north-east India, I have long been fascinated by the region’s complex history, its diverse geography and

The nine stories of Chandan Pandey and Sayari Debnath’s The Keeper of Desolation are stories coming together, translated hindi stories that show us a different

[First written by Rupal Vyas, updated and expanded upon by Prakruti Maniar] Stories are not just child’s play; they give us our voice, our place
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.

Sanjay Leela Bhansali’s Heeramandi is only one of the many depictions of courtesans in Indian cinema and art. And why wouldn’t they be a source

Like other socio-political aspects, the portrayal of women in Indian cinema has been tricky from the beginning. While, on one hand, it’s been a source

Indian literature has a rich tradition of dramas and plays through the centuries. With strong oral traditions, stories were seen and heard, and not read.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.

unBlock, our meetup series to come together and write, just got a new avatar, and in keeping with #SpookySeason, it is horror-themed. In this, we








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